Andie Macdowell has impressed on the red carpet of the Cannes Festival without the need to skip the new regulations of the organization, which this year, in its 78 edition, has banned the use of bulky dresses (which can create problems in access to projections and when sitting in the rooms) and the naked dresses so common in recent years, for a matter of “decency”. Although many guests have disassembled those rules, the American interpreter and model has complied with them, knowing how to stand out with two very different styles on the red carpet. The first, which looked for the premiere of the new installment of the saga Impossible mission of Tom Cruise, Mission Impossible-The Final Reckoning, It was a Mugler black jacket suit, with a large bow tie and vertigo heels. But what caught the attention of his look It was her hair: instead of wearing the loose curly hair that has become her stamp, the actress wore a collection that at first glance simulated a haircut with long bangs. When he turned around, the interpreter showed a low bun, which helped that visual game of false cut when he saw her straight ahead.
How the British edition of Vogue, In recent years Macdowell has become a whole Hairinfluencer (capillary influencer). In 2021, with 63 years, he appeared for the first time showing his great Canosa hair, precisely on the same red carpet, that of the Cannes Festival. “I thought it was time. For me, when your face reaches a certain age it is strange S fashion, pointing out what had led her to make that decision. “I think that living fearing aging is terrible. I cannot be afraid of the inevitable, I really cannot pretend. And I think everyone is prepared to allow women to feel beautiful at any age. Our society is created to glorify young women, and to make the elder years.

For its second appearance on the Red Carpet of the Festival – this May 15 in the presentation of the Thriller dossier 137, Directed by the French Dominik Moll – Macdowell left the collection to show his hair, but instead of his usual marked curls (which he did see at a party held at the festival and his arrival to his arrival) he opted to wear loose hair with waves and borders on the side. As for styling, the rules did not skip: he wore a satin finish lingerie dress and black lace in the neckline designed by Alberta Ferretti, as revealed by his stylist, Marc Eram. This time he stood out for the natural look of beauty, with hardly any makeup.

Macdowell, originally from South Carolina, has been the image of L’Oréal Paris for more than three decades, with 21 he already had a contract with the Elite model agency and has starred in campaigns for Versace or Calvin Klein and participated in films such as Greystoke, the legend of Tarzan, the king of the monkeys and Caught in time, or in series like The assistantin which he shared prominence with his daughter, Margaret Qualley, who last year triumphed with The substance, film directed by Coralie Fargeat that was precisely presented in Cannes. At the moment, mother and daughter are not going to coincide on the screen, but Macdowell has three pending premiere projects: the drama Wildfire, of Stephen Herek; The romantic film The Temptation of Gracie, by Claire McCarthy, in which he will share a cast with Isabella Rossellini, Rupert Everett and Fisher Island, and Comedy TI have token groomsmandirected by Natalie Simpkins.

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